Made 100 years before the current marketing phrase went abuzz, 1304 Massachusetts Avenue is an enticing example of a true immersive retail experience.
Art Nouveau façade of 1304 Massachusetts Avenue, Harvard Square. Photo: Mark Favermann
Located across the street from Harvard Yard at 1304 Massachusetts Avenue in Harvard Square in Cambridge, Massachusetts is one of the most distinctively Art Nouveau storefronts to be found anywhere in the United States. Its visually appealing character and personality are gloriously magnetic.
For sophisticated consumers in the post-Covid-19 world, online shopping has become a habit. In response, retailers and designers have increasingly taken to transforming retail environments; they are no longer mere product displays, but spaces that creatively tell stories, even offer experiences that might become powerful memories. The 1304 Massachusetts Avenue storefront was ahead of this beautifying game well over a century ago.
To be fair, Harvard Square in the City of Cambridge has fostered a charming commercial showplace via a wonderful array of colorful storefronts and quirky projecting signs. The scale and qualitative visual mixture of what’s been done is impressive. Still, the storefront, now in the hands of the Felix Shoe Repair, stands out.
Art Nouveau is characterized by its use of a long and sinuous organic line. Its visual “flow” was meant to correspond to musical movement. A self-conscious attempt to create a “modern” look — free of the imitative historicism that had dominated much of 19th-century art and design — the style was most often used in architecture, interior design, jewelry, glass objects, and illustration. The emphasis on refinement was a cultural reaction to the excesses of the industrial revolution’s twin accomplishments — technological triumphs and deplorable social conditions. In England, influential social critic and artist/designer William Morris was a vocal proponent of Art Nouveau. He and his followers viewed aesthetic and social problems as inseparable, insisting that artists should create work that was both beautiful and practical.
As a design motif, the style peaked around 1890, falling out of favor at the beginning of World War I in 1914. Countries interpreted Art Nouveau in divergent ways — the flowery French style became the most universally prevalent. Much later, the latter influenced what became Psychedelic Art in the ’60s and early ’70s. Though Art Nouveau buildings are now rare in the United States, numerous examples of buildings, houses, and apartments still stand in Paris, Brussels, Prague, Glasgow, Turin, and Riga.