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Gallery Talk: From Neon to Syringes—Conserving Charlotte Moorman’s Cello Sculptures
Free
A recent gift of three sculptures by American artist Charlotte Moorman (1933–1991) marks the first works by this classically trained cellist and avant-garde artist to enter the Harvard Art Museums collections. Due to their unusual materials, Syringe Cello (1989), Neon Cello (1989), and Bronze Shadow Cello (1983–89) presented a range of unique conservation challenges ahead of their installation. Objects conservation fellow […]
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